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ARVELL SHAW
Arvell Shaw was best known for his long association with Louis Armstrong. The bassist first
worked with him in 1945, and made the position his own.
He was one of the few players retained when Armstrong
eventually disbanded the large group in favour of a septet, Louis Armstrong and The All-Stars, in the wake of successful
concerts at Carnegie Hall and Town Hall in New York in 1947.
The bassist played with Armstrong regularly for
the rest of his career, including the trumpeter’s last appearance at the Waldorf Astoria in New York a few days before
his death in 1971. He played on all his recordings from 1945 on, and appeared with him in seven films, including The Glenn
Miller Story (1953) and High Society (1956).
He also worked with a range of other notable jazz leaders.
They included Benny Goodman, Teddy Wilson, Sidney Bechet, Coleman Hawkins, Barney Bigard, Earl Hines, Wild Bill Davison, Buddy
Tate, Dorothy Donegan and Lionel Hampton, among others.
He was much in demand as a freelance musician in New York,
and played in the pit bands for the Broadway shows Bubbling Brown Sugar and Ain't Misbehavin' in the late 70s
and early 80s (presumably this was when he used the Ripper).
A 1978 Maple Gloss Ripper
| For Sale on "GibsonBassStore.com"-click on photo. |

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Total Ripper numbers produced: 7775 |
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1973 |
1974 |
1975 |
1976 |
1977 |
1978 |
1979 |
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39 |
3501 |
1288 |
2291 |
1373 |
991 |
534 |
SOUND CLIPS: click on the
links below to hear a Ripper,
Position 1 tone - 0, midrange -0 fingerstyle
Position 1 tone - 10, midrange -10 fingerstyle
Position 2 tone - 10, midrange -10 played fingerstyle
Position 3 tone - 5, midrange -5 played fingerstyle
Position 4 tone - 10, midrange -10 fingerstyle
Position 4 tone - 5, midrange -0 fingerstyle
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